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So, what has Yasmien Kurdi been up to since the release of her chart-topping debut album? A lot, if truth be told. In those two years of dormancy (at least in her music career) Yasmien immersed herself in significant acting roles from being a dainty fairy princess to an ugly daughter, and more recently an anime character, solidifying her status as a compelling, well-rounded performer. These projects however would only justify her equally anticipated comeback in the music scene.
Fans and critics alike may remember the enjoyable pop concoctions she and her producers have created in her debut. Those dreamy vocals sliding smoothly on a piano base sure kept listeners humming and aptly longing for more. This time though as a reaction to requests, and expectations perhaps, Yasmien's eagerly awaited sophomore effort has finally materialized.
Nourished by actual music industry experience and inescapable critique — an applicable combination for growth — Yasmien returns to the big league with "Love Is All I Need", a surprisingly noble effort framed with the intention of eliciting impressed looks and raves, as well as silencing detractors. It seemed that the two years it took to craft this album had changed Yasmien's point of view; it's as if she closed her eyes and envisioned that a timely transformation is a key.
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